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  • Joe Berardo, portuguese billionaire and art collector.
    berardo3_bs_0000000000013532.jpg
  • Lady walking at Dashanzi Art District, also know as 798
    011-100805-LFC-0790.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0200.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0195.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0172.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0151.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0134.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0097.jpg
  • Museum Collection Berardo is the msot important Modern and Contemporary art Museum in Lisbon. Located in Belém, in the Cultural Center, the collection is privately own by Joe Berardo, a millionaire that invested in Contemporary Art for many years. The collection includes art from Andy Warhol, Gilbert & George, Cindy Sherman, among others.
    120324-LFC-0077.jpg
  • 07/09/2015 - Lisbon, Portugal: Lara Seixo Rodrigues (36) shows some examples of street art to Aida Alves (76) during an workshop of Lata 65 in Arroios, Lisbon. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_01.jpg
  • 08/09/2015 - Lisbon, Portugal: Founder of Lata 65 project, Lara Seixo Rodrigues, 36, with street artist Adres (Adrião Resende), 33, who helps during the workshops. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_22.jpg
  • 08/09/2015 - Lisbon, Portugal: Aida Alves, 76, looking for a colour to paint her flowers on the wall of Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_20.jpg
  • 08/09/2015 - Lisbon, Portugal: António Rodrigues, 72, checks his stencil, while other participants of Lata 65 paint the wall. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_16.jpg
  • 08/09/2015 - Lisbon, Portugal: Maria Manuela Graça, 59, paints a wall during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_12.jpg
  • 08/09/2015 - Lisbon, Portugal: António Rodrigues, 72, paints a wall during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_10.jpg
  • 08/09/2015 - Lisbon, Portugal: Isaura Santos Costa, 90, and Olinda Rodrigues, 66, paint a wall during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_11.jpg
  • 07/09/2015 - Lisbon, Portugal: Lara Seixo Rodrigues, discuss with Lurdes Silva 80, which stencil they will use next during the workshop Lata 65. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_04.jpg
  • 07/09/2015 - Lisbon, Portugal: Isaura Santos Costa, 90, during the workshop Lata 65. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_03.jpg
  • 08/09/2015 - Lisbon, Portugal: António Rodrigues, 72, after Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_24.jpg
  • 08/09/2015 - Lisbon, Portugal: Olinda Rodrigues, 66, in front of the wall that was painted during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_23.jpg
  • 08/09/2015 - Lisbon, Portugal: Lurdes Silva, 80, painting a stecil with her hand  during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_21.jpg
  • 08/09/2015 - Lisbon, Portugal: Isaura Santos Costa, 90, using a stencil with the shape of her hand during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_19.jpg
  • 08/09/2015 - Lisbon, Portugal: Luisa Cortesão, 65, a retired doctor, using a stencil to paint the wall during a Lata 65 workshop. Luisa was one of the first participants of the project Lata 65. Today she helps organizing other workshops and in her spare time she graffitis some walls with her grandaughters. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_18.jpg
  • 08/09/2015 - Lisbon, Portugal:Olinda Rodrigues, 66, looks for a different stencil, while other participants of Lata 65 paint the wall. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_17.jpg
  • 08/09/2015 - Lisbon, Portugal: A stencil with the name of Aida on the wall during a Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_15.jpg
  • 08/09/2015 - Lisbon, Portugal: António Rodrigues, 72, using a stencil to paint a fish on the wall during a Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_14.jpg
  • 08/09/2015 - Lisbon, Portugal: Aida Alves, 76, with a can during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_13.jpg
  • 08/09/2015 - Lisbon, Portugal: Lara Seixo Rodrigues, 36, explains to the participants of the Lata 65 workshop on how to use a paint can before they paint the wall. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_09.jpg
  • 08/09/2015 - Lisbon, Portugal: Maria Manuela Graça, 59, cuts her stencil before going to paint a wall during the Lata 65 workshop. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_08.jpg
  • 08/09/2015 - Lisbon, Portugal: Isaura Santos Costa, 90, cuts her stencil during the workshop before painting a wall. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_06.jpg
  • 08/09/2015 - Lisbon, Portugal: Street artist Adres (Adrião Resende), 33, tries to motivate Lurdes Silva, 80,  by helping her in the drawing process. Mrs, Silva was not interested in the workshop in the beginning but by the end she was really interested in painting the wall. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_07.jpg
  • 08/09/2015 - Lisbon, Portugal: Participants on the Lata 65 worshop cut their stencils before painting a wall.  Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_05.jpg
  • 07/09/2015 - Lisbon, Portugal: Luisa Cortesão, 65, a retired doctor, was one of the first participants of the project Lata 65. Today she helps organizing other workshops and in her spare time she graffitis some walls with her grandaughters. Lata 65 was project created by Lara Seixo Rodrigues and is a creative workshop teaching street art to senior citizens. (Eduardo Leal)
    EL__2015_Graffiti Grannies_02.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4863.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4861.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4836.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4833.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4816.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4829.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4794.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4783.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    _MG_4772.jpg
  • Nourlangie and Nanguluwur Art Sites<br />
The name 'Nourlangie' is an anglicised version of Nawurlandja, the name of a larger area that includes an outlier to the west of Nourlangie. The upper part of Nourlangie Rock is known as Burrunggui; the lower areas are known as Anbangbang.<br />
The area was formed when two Creation Ancestors in the form of short-eared rock wallabies travelled through from east to west. They moved past Nourlangie Rock, across Anbangbang billabong, and up into the rocks at Nawurlandja, where they cut two crevices in the rock as they passed. These crevices are visible today and rock wallabies are often seen there in the early morning and at dusk.
    AustJourney-0039.jpg
  • People gathering around the holy man in Bafata-Oio village, Aladji Fode Mai Toure, expecting his blessing and listening to his advice. Locally known as "Homem Grande", meaning 'great man', serving as a community and local leader. Half of the population are considered to be muslim.
    h_00005812.jpg
  • Men chat and wait around the house of the holy man in Bafata-Oio village, Aladji Fode Mai Toure, expecting his blessing and listening to his advice. Locally known as "Homem Grande", meaning 'great man', serving as a community and local leader. Half of the population are considered to be muslim.
    h_00005810.jpg
  • The holy man in Bafata-Oio village, Aladji Fode Mai Toure. Locally known as "Homem Grande", meaning 'great man', serving as a community and local leader. Half of the population are considered to be muslim.
    h_00005807.jpg
  • People gathering around the holy man in Bafata-Oio village, Aladji Fode Mai Toure, expecting his blessing and listening to his advice. Locally known as "Homem Grande", meaning 'great man', serving as a community and local leader. Half of the population are considered to be muslim.
    h_00005805.jpg
  • People gathering around the holy man in Bafata-Oio village, Aladji Fode Mai Toure, expecting his blessing and listening to his advice. Locally known as "Homem Grande", meaning 'great man', serving as a community and local leader. Half of the population are considered to be muslim.
    h_00005804.jpg
  • biblioteca fondation ahmed al mahmoud com manuscritos arabes do sec XI ao XIX. chinguetti, mauritania. africa2007.
    h_00005803.jpg
  • The Friday mosque is supposedly dated of the 13/14th century and the squared minaret is said to be the 2nd oldest in use in the world. Chinguetti, a medieval trading center founded in the 13th century, now home of some libraries full of ancient arab manuscripts
    h_00005802.jpg
  • Chinguetti, a lost village in the Adrar region, once an important home of Muslim scholars and Madrassas, today is famous for it's private libraries with ancient arab manuscripts from medicine to religion, some dating back to the 9th century.
    h_00005801.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005800.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005799.jpg
  • Ancient arab manuscripts part of  the 'Ahmed al Mahmoud fondation' library, in Chinguetti.
    h_00005798.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005797.jpg
  • Ancient arab manuscripts part of  the 'Ahmed al Mahmoud fondation' library, in Chinguetti.
    h_00005796.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005795.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005794.jpg
  • Ancient arab manuscripts part of  the 'Ahmed al Mahmoud fondation' library, in Chinguetti.
    h_00005793.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005792.jpg
  • a local guide shows some of old tablets part of the 'Ahmed al Mahmoud fondation' library in Chuinguetti. Some of the manuscripts date back to the 9th century up to the 20th.
    h_00005791.jpg
  • biblioteca fondation ahmed al mahmoud com manuscritos arabes do sec XI ao XIX. chinguetti, mauritania. africa2007.
    h_00005790.jpg
  • Filmaker Manoel de Oliveira, portrayed in a lift in Berlin in March 3rd 2009.
    090303-PR-1507.jpg
  • A boy carrying a bucket walks by the riverside ate dusk. At the confluence of the Niger and the Bani rivers, between Timbuktu and Ségou, Mopti is the second largest city in Mali, and the hub for commerce and tourism in this west-african landlocked country.
    080811-LFC-3982.jpg
  • Children climbing a statue of Nuno Tristao, Portuguese explorer. These statues of the Portuguese colonial days were removed from their places all over the country with independence, and now rest abandoned in the margins of the river Cacheu.
    h_00005833.jpg
  • a Vincenzo Rusciano artwork.<br />
<br />
The protagonist of this work it is, at the same time, the main absent: the man.<br />
The man in his social and communal dimension.<br />
The contexts designed and arranged to encourage communication, play, participation, respect, sharing, skills development, become no  - places unable to perform their function. <br />
The silent nature appears the only creature really and irreducibly faithful to the vocation involved in its essence.<br />
Their state of neglect, decay times, recalls the waiver insane man / citizen called, by its nature, to express themselves and build.<br />
The only faces represented are those mediated by the eye of the artist: a film, a stone statue .. as if to say that the true humanity still exists only in the eyes of those who seek beauty.
    23.jpg
  • Square in Massa Maritima.
    h_00006957.jpg
  • Mushroom in Abetone region.
    h_00006956.jpg
  • View of Pitigliano Village, on the top of a cliff
    h_00006955.jpg
  • The "Devils Bridge" , near Bagni di Lucca
    h_00006953.jpg
  • h_00006952.jpg
  • View of Pitigliano Village, on the top of a cliff
    h_00006950.jpg
  • Guinigui Tower in Lucca
    h_00006949.jpg
  • Sant'Antimo abbey.
    h_00006948.jpg
  • Agricultural landscape in Toscana
    h_00006945.jpg
  • Tourist looking at the famous leaning tower of Pisa after rain.
    h_00006944.jpg
  • Walkpath in Massaciuccoli Lake
    h_00006942.jpg
  • A couple walks by Campo dei Miracoli in Pisa
    h_00006941.jpg
  • Bird view of Sorano's alleys.
    h_00006939.jpg
  • Nun passing by Lucca's Duomo.
    h_00006938.jpg
  • A priest walks by a statue in Piazza della Signoria in Florence.
    h_00006937.jpg
  • The Fortress in Massa Maritima
    h_00006936.jpg
  • Panorama of Florence with the Old Bridge (Ponte Vecchio)
    h_00006935.jpg
  • Grape harvest in Toscana.
    h_00006933.jpg
  • The spanish chapel at Santa Maria Novella church.
    h_00006934.jpg
  • The central square of Bagno Vignoni, with a water tank covering almost all the space.
    h_00006932.jpg
  • Piazza Grande in Arezzo.
    h_00006930.jpg
  • Detail of Lucca's Duomo
    h_00006928.jpg
  • Tourists looking at the frescos at the Spanish Chapel in Santa Maria Novella in Church in Florence.
    h_00006927.jpg
  • Panorama of Florence with the Old Bridge (Ponte Vecchio)
    h_00006925.jpg
  • People passing by Florence's Duomo with umbrellas decorated with Renaissance paintings.
    h_00006924.jpg
  • Woman bathing in Saturnia termal waters.
    h_00006922.jpg
  • View of San Gimignano from far.
    h_00006920.jpg
  • Exterior of the Uffizi, the most important museum in Florence.
    h_00006923.jpg
  • Bogolans on display. These cotton clothes are painted with a dye made with mud and tree-bark. So-called bogolans are one of the most traditional malian souvenisr and each ethnic group has its own tipical design. These are Dogon bogolans.
    080808-LFC-2503.jpg
  • Groups of Aboriginal people camped in rock shelters around Ubirr to take advantage of the enormous variety of foods available from the East Alligator River, the Nadab floodplain, the woodlands, and the surrounding stone country. The rock overhang of the main gallery provided an area where a family could set up camp. Food items were regularly painted on the back wall, one on top of the other, to pay respect to the particular animal, to ensure future hunting success, or to illustrate a noteworthy catch. Among the animals painted in the main gallery are barramundi, catfish, mullet, goannas, long-necked turtles, pig-nosed turtles, rock ringtail possums, and wallabies. Although Aboriginal people no longer live in the shelter, the animals depicted are still hunted for food today.
    _MG_5022.jpg
  • Yellow Water Billabong is located at the end of Jim Jim Creek, a tributary of the South Alligator River. The South Alligator river system, which is the largest in the Park, contains extensive wetlands that include river channels, floodplains and backwater swamps. About one third of Australia's bird species are represented in Kakadu National Park, with at least 60 species found in the wetlands. Whistling ducks and Magpie Geese are the most abundant.
    _I6K4981.jpg
  • Groups of Aboriginal people camped in rock shelters around Ubirr to take advantage of the enormous variety of foods available from the East Alligator River, the Nadab floodplain, the woodlands, and the surrounding stone country. The rock overhang of the main gallery provided an area where a family could set up camp. Food items were regularly painted on the back wall, one on top of the other, to pay respect to the particular animal, to ensure future hunting success, or to illustrate a noteworthy catch. Among the animals painted in the main gallery are barramundi, catfish, mullet, goannas, long-necked turtles, pig-nosed turtles, rock ringtail possums, and wallabies. Although Aboriginal people no longer live in the shelter, the animals depicted are still hunted for food today.
    _MG_4939.jpg
  • Groups of Aboriginal people camped in rock shelters around Ubirr to take advantage of the enormous variety of foods available from the East Alligator River, the Nadab floodplain, the woodlands, and the surrounding stone country. The rock overhang of the main gallery provided an area where a family could set up camp. Food items were regularly painted on the back wall, one on top of the other, to pay respect to the particular animal, to ensure future hunting success, or to illustrate a noteworthy catch. Among the animals painted in the main gallery are barramundi, catfish, mullet, goannas, long-necked turtles, pig-nosed turtles, rock ringtail possums, and wallabies. Although Aboriginal people no longer live in the shelter, the animals depicted are still hunted for food today.
    _MG_4895.jpg
  • Groups of Aboriginal people camped in rock shelters around Ubirr to take advantage of the enormous variety of foods available from the East Alligator River, the Nadab floodplain, the woodlands, and the surrounding stone country. The rock overhang of the main gallery provided an area where a family could set up camp. Food items were regularly painted on the back wall, one on top of the other, to pay respect to the particular animal, to ensure future hunting success, or to illustrate a noteworthy catch. Among the animals painted in the main gallery are barramundi, catfish, mullet, goannas, long-necked turtles, pig-nosed turtles, rock ringtail possums, and wallabies. Although Aboriginal people no longer live in the shelter, the animals depicted are still hunted for food today.
    _MG_4888.jpg
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