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  • Empty seats in Bologna.<br />
The protagonist of this work it is, at the same time, the main absent: the man.<br />
The man in his social and communal dimension.<br />
The contexts designed and arranged to encourage communication, play, participation, respect, sharing, skills development, become no - places unable to perform their function.<br />
The silent nature appears the only creature really and irreducibly faithful to the vocation involved in its essence.<br />
Their state of neglect, decay times, recalls the waiver insane man / citizen called, by its nature, to express themselves and build.<br />
The only faces represented are those mediated by the eye of the artist: a film, a stone statue .. as if to say that the true humanity still exists only in the eyes of those who seek beauty.
    1.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017973.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017972.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017961.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005868.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005865.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017980.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017979.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017978.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017977.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017976.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017975.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017974.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017971.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017969.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017970.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017968.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017967.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017966.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017965.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017964.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017963.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017962.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017960.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017959.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017958.jpg
  • Publico no Rock in Rio. ATENÇÃO: ESTAS FOTOS SÓ PODEM SER USADAS NO CONTEXTO ROCK IN RIO
    h_00017957.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005870.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005869.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005867.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005866.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005864.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005863.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005862.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005861.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005860.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005859.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005858.jpg
  • Casa da Musica was conceived to mark 2001, the year in which Porto was Cultural Capital of Europe. The project started in 1999 after the Rem Koolhaas & Ellen van Loon - Office for Metropolitan Architecture won the international architectural competition. Work began in 1999 near Rotunda da Boavista, Porto and Casa da Musica opened its doors to the public on April 15th, 2005.
    h_00005857.jpg
  • Audience at "Tasca do Chico", one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060418-007-POR-0032.jpg
  • An enthusiastic member of the audience vibrates when Bica march parades in Liberdade Avenue.  Each neighbourhood has their supporters and lisboets crowds the Avenue to watch the Marches.
    001009por0003-013.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    001009CPV004-3968.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    001009CPV004-3366.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience. They are generally from the poorer strata of population.
    001009CPV004-4573.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population. Here a TV presenter takes part in a dance with the "mandingas".
    001009CPV004-4009.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience. They are generally from the poorer strata of population.
    001009CPV004-3181.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    001009CPV004-3002.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    001009CPV004-2971.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    001009CPV004-2958.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060829-007-POR-0067.jpg
  • Camane and Pedro Moutinho (right to left) are two of three Fado singers brothers that have been following their family tradition. Camane is one of the most acclaimed singers from the new generation. Here they are at "Tasca do Chico", one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060829-007-POR-0066.jpg
  • A couple at "Tasca do Chico". This one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060828-007-POR-0065.jpg
  • Audience at the restaurant "Marques da Se", one of the main Fado venues in Lisbon located in Alfama typical neighborhood
    060817-007-POR-0060.jpg
  • The audience at "Faia". This restaurant  is one of most famous houses were to see live perfomances of Fado music and it attracts many tourists. It was founded in 1947 by Lucilia do Carmo, one of the legendary woman Fado singers.
    060815-007-POR-0055.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060814-007-POR-0050.jpg
  • Audience at restaurant "Mesa de Frades", an old chapel in Alfama typical neighborhood
    060629-007-POR-0048.jpg
  • Audience at the esplanade of restaurant "Mesa de Frades", an old chapel in Alfama typical neighborhood
    060628-007-POR-0046.jpg
  • A couple enjoy Fado at Audience at restaurant "Mesa de Frades", an old chapel in Alfama typical neighborhood
    060628-007-POR-0045.jpg
  • Players passing in the middle of the tables at Audience at restaurant "Mesa de Frades", an old chapel in Alfama typical neighborhood
    060628-007-POR-0044.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060504-007-POR-0040.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060504-007-POR-0041.jpg
  • Singer Pedro Moutinho performing at "Tasca do Chico" , one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060503-007-POR-0038.jpg
  • Singer Pedro Moutinho performing at "Tasca do Chico" , one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060503-007-POR-0039.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060418-007-POR-0033.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060417-007-POR-0031.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060417-007-POR-0030.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060417-007-POR-0029.jpg
  • A japanese singing Fado at "Tasca do Chico". This is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0022.jpg
  • A couple kisses at "Tasca do Chico", one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060329-007-POR-0021.jpg
  • Jose Manuel Castro, Andre Gomes e Artur Batalha having fun at "Tasca do Chico". This one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0020.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060329-007-POR-0019.jpg
  • Jose Manuel Castro e Andre Gomes at "Tasca do Chico". This is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and ask to sing aswell. It is located in  Bairro Alto old district.
    060329-007-POR-0018.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0017.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0016.jpg
  • A asian flower seller at "Tasca do Chico". This is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0015.jpg
  • Andre Gomes performing at "Tasca do Chico". This one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0014.jpg
  • Tourists share a grilled "chourico" (chorizo) at"Tasca do Chico". This one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood
    060329-007-POR-0013.jpg
  • "Tasca do Chico" is one of the typical spots were to see live perfomances of Fado music and were the audience can spontaneously participate and also ask to sing. It is located in  Bairro Alto neighborhood.
    060814-007-POR-0049.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000819.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000809.jpg
  • French clarinetist Louis Sclavis salutes the audience at the end of a performance. "Jazz ao Centro" jazz festival is held twice a year in portuguese town of Coimbra.
    001009jaz0002-0029.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00004193.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000829.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year. Pictured: singer Isabel Noronha (C).
    h_00000825.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000824.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000821.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000820.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year. Pictured: singer Isabel Noronha (L).
    h_00000811.jpg
  • During the month of June the Lisbon Festivities invade the Tramway in the form of Fado.  Singers and players bring their art to what in the rest of the year is a normal line, attracting quite a broad audience. Fado lovers, friends and neighbours of the musicians, tourists and common curious people, all join the regular passengers in the craziest carriers of the year.
    h_00000810.jpg
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