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  • portraits of bodybuilding.
    h_00018556.jpg
  • portraits of bodybuilding.
    h_00018558.jpg
  • portraits of bodybuilding.
    h_00018559.jpg
  • portraits of bodybuilding.
    h_00018554.jpg
  • portraits of bodybuilding.
    h_00018555.jpg
  • portraits of bodybuilding.
    h_00018557.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018550.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018549.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018530.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018553.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018552.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018551.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018547.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018546.jpg
  • h_00018545.jpg
  • h_00018544.jpg
  • h_00018543.jpg
  • h_00018542.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018541.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. <br />
 André Costa in his first competition.
    h_00018540.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. <br />
 Ricardo Fernandes painting Ricardo Oliveira.
    h_00018539.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. <br />
Rita Sargo, national champion of fitness being painted by Ricardo Fernandes.
    h_00018538.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. <br />
Pedro cerdeira and Ruizinho ( Rui Pereira) national champions of fitness.
    h_00018536.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018535.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.  Ricardo Oliveira, second place in his category.
    h_00018534.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. Eunice Miranda, former boxing champion in her first presentation.
    h_00018533.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.  João Caneco flexing his muscles.
    h_00018532.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018531.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. Mário posing behind the stage.
    h_00018529.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.  World champion WABBA 2008, the hungarian Daniel Toth and Eunice Miranda.
    h_00018527.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. Milton Anjo overall winner.
    h_00018528.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. <br />
Mario after the competition, cleaning the paint.
    h_00018526.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old.
    h_00018548.jpg
  • For two years in a row, in a rundown theater in Porto, the Portuguese National Championship of Bodybuilding WABBA happened. Several athletes, from allover the country came to this one day competition. <br />
These are photos from the backstage, where the athletes exercise and get body paint for the stage presentation. The muscles and the gold and brown colors get ready in the confusion of tubes, abandoned wood from different theater plays, photos from the past and dressing rooms with 100 years old. <br />
Rita Sargo, national champion of fitness being painted by Ricardo Fernandes.
    h_00018537.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_12.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_11.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_10.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_08.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_07.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_03.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_06.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_05.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_04.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_01.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_09.jpg
  • We become red for anger or embarrassment.<br />
Forty years after abolition of fascism in Portugal, the country is experiencing one of the heaviest moments of its history in Democracy.<br />
In the streets, an exhausted generation staggers, struggling to bear the burden of survival.<br />
There are few young people who still manage to stay in the country, and although they attemp a smile, the melancholy of an uncertain future is clear in their eyes.<br />
Those red eyes are a mixture of indignation and shame, between the apaty of a stagnant economy and the anxiety of a way out that it is not yet clear.
    h_April's Portraits_02.jpg
  • March 2015. Paris. An artist holding a girl's portrait in Montmartre. They do a "souvenir" portraits fort the big amount of  tourists who visit each day this famous district of Paris.
    ImitationOfLifeParis-14.jpg
  • Portrait of a man inside one of Istanbul's ferries (vapur).
    120809-LFC-6466.jpg
  • March 2015. Porte de la Chapelle, Paris. Portrait of an unknown woman whith who I shared the car to come from Belgium to Paris. I only know that her parents life in on of the poorest neighbourhoods of the town, La porte de la Chapelle.
    ImitationOfLifeParis-2.jpg
  • A man poses in front of Mustafa Kemal Ataturk portrait, inside one of Istanbul's ferry boats (vapur). Ataturk is considered to be the founder of The Turkish Republic.
    120810-LFC-7712.jpg
  • The portrait of a young shepperd  in the abandoned village of Vinagre in Brava's east coast. Vinagre is so called because of the acid fountain water that reminds vinegar. The young man is wearing a political t-shirt from one of the candidates for President.
    001009CPV004-2102.jpg
  • Self-portrait of photographer Luis Filipe Catarino reflected in the Opera House building in Sydney harbour.
    AustJourney-0001.jpg
  • Anibal Cavaco Silva listening to students in one of the universities where he teaches Economy.
    001009var0007-6113.jpg
  • Cavaco Silva is running for the second time for President of Portugal. Ten years ago he lost for the cessant President but now all the pools give him the majority of votes on the first turn of the elections sheduled for 22nd of January.
    001009var0007-0069.jpg
  • A kid on his stroller is looking at his father during a walk on the surroundings of the center at night. FEDASIL Sugny asylum center. Sugny, Belgium. July 2015. I took these photographs during an international volunteer program that I liderate with an international volunteering group.
    DavidMolinaTheLongWayHome-51.jpg
  • An afghan boy is looking at his phone during a Volleyball match. FEDASIL Sugny asylum center. Sugny, Belgium. August 2015. I took these photographs during an international volunteer program that I liderate with an international volunteering group.
    DavidMolinaTheLongWayHome-25.jpg
  • Emmanuel, around 8, from Central Africa, is seeking us to play with him through the window. FEDASIL Rixensart asylum center. Rixensart, Belgium. April 2015. I took these photographs during an international volunteer program that I liderate with an international volunteering group.
    DavidMolinaTheLongWayHome-21.jpg
  • Daoud, around 4, from Central Africa, is approaching me while I'm taking him photographs during a walk to the village's lake. Rixensart, Belgium. April 2015. I took these photographs during an international volunteer program that I liderate with an international volunteering group.
    DavidMolinaTheLongWayHome-8.jpg
  • Emmanuel, around 8, from Central Africa, is seeking us to play with him through the window. FEDASIL Rixensart asylum center. Rixensart, Belgium. April 2015. I took these photographs during an international volunteer program that I liderate with an international volunteering group.
    DavidMolinaTheLongWayHome-1.jpg
  • Summer 2015. La fosse, Belgium. Alexandra from Siberia gaze at the bonfire amazed during our international work-camp experience on La Fosse Mill.
    DavidMolinaInBetween-21.jpg
  • Summer 2015. La Fosse Mill, Belgium. Valerio from Italy take a bath on the little waterfall of La Fosse Mill during our international work-camp experience.
    DavidMolinaInBetween-15.jpg
  • Summer 2015. La fosse, Belgium. Ivanna from Ukrania walking trough the wind during a walk on our international work-camp experience on La Fosse Mill.
    DavidMolinaInBetween-13.jpg
  • Summer 2015. Sugny, Belgium. Martn from France drinks beer on the forest near FEDASIL refugee center during our international work-camp experience.
    DavidMolinaInBetween-11.jpg
  • Summer 2015. Sugny, Belgium. Martin from France on the forest near to the FEDASIL refugee center at night during our international work-camp experience.
    DavidMolinaInBetween-6.jpg
  • Summer 2015. Sugny, Belgium. Laura from Spain holds a kid and watch me while people plays at night on the FEDASIL refugee center during our international work-camp experience.
    DavidMolinaInBetween-5.jpg
  • September 2015. Thessaloniki. Basiliki is waiting the bus at night.
    ImitationOfLifeThessaloniki-35.jpg
  • September 2015. Thessaloniki. Katherina at night.
    ImitationOfLifeThessaloniki-16.jpg
  • September 2015. Thessaloniki. A man is showing me his new big tattoo on a tattoo convention in the industrial port of the town.
    ImitationOfLifeThessaloniki-7.jpg
  • September 2015. Basiliki is in the bus going to home.
    ImitationOfLifeThessaloniki-3.jpg
  • Dourou Village view from outside with a millet field on the foreground. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080806-LFC-1495.jpg
  • Togu na or casa palava in Djiguibombo. Usually located in the centre of each village or quarter, the togu na is a shelter reserved for men, where the elders hold meetings, councils and pronounce judgements. The millet-stalk roof is normally 1.2m from the ground to prevent  standing up. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080810-LFC-3417.jpg
  • Tourist baths on a waterfall on the ascent from Kani-Kombolé to  Djiguibombo village. Waterfalls formed during the rainy season drop from the Bandiagara Escarpment cliff permitting tourists to cool off from the hiking. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080810-LFC-3391.jpg
  • Tourist jumps over waterfall. Waterfalls formed during the rainy season drop from the Bandiagara Escarpment cliff permitting tourists to cool off from the hiking. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080810-LFC-3343.jpg
  • The canyon formed near Kani-Kombolé and Djiguibombo is a shady place with lots of trees and waterfalls during the rainy season. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080810-LFC-3299.jpg
  • Tourist looking at the landscape on the ascent from Kani-Kombolé to Djiguibombo village. Waterfalls formed during the rainy season drop from the Bandiagara Escarpment cliff permitting tourists to cool off from the hiking. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080810-LFC-3318.jpg
  • Man washing millet straw in a lake formed by rain in front of Kani-Kombolé village mosque. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-3236.jpg
  • Waterfalls formed during the rainy season drop from the Bandiagara Escarpment cliff permitting tourists to cool off from the hiking. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-3105.jpg
  • Waterfalls formed during the rainy season drop from the Bandiagara Escarpment cliff permitting tourists to cool off from the hiking. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-3156.jpg
  • Dogon masks are one of the most symbolic souvenir one can bring from the Dogon Country. Used for sacred cerimonies, masks have a very important role in the Dogon society. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-3052.jpg
  • Most Dogon Country mosques are in Sudanese style and built with mud. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-3014.jpg
  • Woman seen from above walk on a field in Teli village. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-2930.jpg
  • The well-preserved Tellem dwellings in Teli makes it one of the most picturesque villages in the Dogon Country. As in many other villages, the Dogon formerly lived sheltered in the cliffs as they feared predators and human agressors. Only some 60 ago, Teli villagers started to settle in the present village below the cliff. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-2845.jpg
  • The well-preserved Tellem dwellings in Teli makes it one of the most picturesque villages in the Dogon Country. As in many other villages, the Dogon formerly lived sheltered in the cliffs as they feared predators and human agressors. Only some 60 ago, Teli villagers started to settle in the present village below the cliff. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-2839.jpg
  • Teli village stands out as one of the many religiously highly ecletic and tolerant in the Dogon Country. Muslims, Catholics and Animists live together in harmony even if the village mosque shows the predominacy of the Islamic religion. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-2761.jpg
  • The well-preserved Tellem dwellings in Teli makes it one of the most picturesque villages in the Dogon Country. As in many other villages, the Dogon formerly lived sheltered in the cliffs as they feared predators and human agressors. Only some 60 ago, Teli villagers started to settle in the present village below the cliff. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-2791.jpg
  • A group of young people performs for tourists a traditional dance by the fire. Dogon youth are trying to take advantage of the benefits brought by tourism to their ethnic group.  The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2697.jpg
  • A group of young people performs for tourists a traditional dance by the fire. Dogon youth are trying to take advantage of the benefits brought by tourism to their ethnic group.  The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2598.jpg
  • Most Dogon Country mosques are in Sudanese style and built with mud.The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2511.jpg
  • Bogolans on display. These cotton clothes are painted with a dye made with mud and tree-bark. So-called bogolans are one of the most traditional malian souvenisr and each ethnic group has its own tipical design. These are Dogon bogolans.
    080808-LFC-2503.jpg
  • Faithful enters Endé mosque. Most Dogon Country mosques are in Sudanese style and built with mud. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2486.jpg
  • Man works on a millet field in the Bandiagara Escarpment with the so-called "God's Finger" in the background. Millet is also used to make beer in the Dogon Country. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2461.jpg
  • Tipical Dogon wood carvings that serve as pillars for roofs. Dogon sculptures are famous for its spiritual symbolism and rarities some times are sold tourists with no scruples. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2413.jpg
  • Mosquito nets in the rooftops are the most common place for a tourist to sleep in campments in the Bandiagara Escarpment. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080808-LFC-2374.jpg
  • Guide Foussani Guindo walks by a baobab tree. The fruit of this tree has many usages as the production of musical instruments, food, containers, and its trunk is also used to make ropes. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2354.jpg
  • Togu na or casa palava in Doundjourou. Usually located in the centre of each village or quarter, the togu na is a shelter reserved for men, where the elders hold meetings, councils and pronounce judgements. The millet-stalk roof is normally 1.2m from the ground to prevent  standing up. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2338.jpg
  • A caterpillar hanging on the leaves of a plant in the Bandiagara Escarpment.  The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2324.jpg
  • Mother and son climbing the cliff with burdens on their heads in the Bandiagara Escarpment. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2317.jpg
  • A group of tourists and their guide descending a ravine in the Bandiagara Escarpment between Doundjourou and Yabatalou villages. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2290.jpg
  • A group of tourists and their guide descending a ravine in the Bandiagara Escarpment between Doundjourou and Yabatalou villages. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2281.jpg
  • A group of tourists and their guide look at the sandy plain that follows the cliff in the Bandiagara Escarpment. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2212.jpg
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